NYC seamstress, 95, reunited with long-lost Garment District statue of herself from decades ago

It’s a sew in time.

A 95-year-old former grasp seamstress was reunited Wednesday with a long-lost statue of herself that stood for almost 4 decades within the foyer of the Garment District swimsuit firm the place she as soon as labored.

The life-sized bronze likeness of Maria Pulsone — which is able to quickly go on show on the Italian American Museum — was discovered by her granddaughter, who waged a web-based odyssey to search out the paintings in a dusty warehouse in Scranton, Penn. 

Former master seamstress Maria Pulsone, 95, was reunited with a long-lost statue of herself that was displayed in the lobby of her Garment District employer for nearly four decades.
Former grasp seamstress Maria Pulsone, 95, was reunited with a long-lost statue of herself that was displayed within the foyer of her Garment District employer for almost 4 decades. Stefano Giovannini

“Growing up I always knew there was this statue of my grandmother when she was a New York City seamstress. I was always curious about it,”  her granddaughter, Jennifer Pulsone Heppner, 41, instructed The Post. 

The now-retired nonagenarian obtained to see the statue — which captures her within the act of stitching with a glance of agency focus on her face — at a ceremony on the Mulberry Street museum Wednesday. She confirmed she was nonetheless all enterprise when requested what she thought of the consideration.

“Eh, it’s alright,” she stated flatly.

In 1984, Pulsone’s boss on the Saint Laurie agency, Andy Kozinn, needed to “create an experience for the customer” with artwork depicting a employee on the constructing on East twentieth Street close to Broadway.

So he requested Pulsone to pose for the statue as a result of she was “one of the best” seamstresses and the “most social, friendly,” Heppner stated.

As staff entered and left the constructing, they may typically be heard playfully greeting the determine, which depicts Pulsone with thread and needle.

“Everybody [would say], ‘Good morning, Maria.’ Good night, Maria,’” Pulsone recalled. 

Maria Pulsone’s boss requested her to pose for the bronze statue in 1984. Stefano Giovannini

The statue sat proudly at 897 Broadway till 2018, when the agency moved and the vintage firm took it.

Last yr, Heppner stated her husband inspired her to trace it down.

“A quick Google search of ‘woman sewing statue’ led us down a rabbit hole  but it didn’t take that long and we found that the statue was for sale in an antique warehouse in Scranton,” stated Heppner.

“I was like ‘Is that really her?’ He said ‘look at that face’ and I said ‘oh yeah, that’s her!’” she stated.

The statue of Maria Pulsone stood within the Garment District for almost 4 decades. IAM

She paid the vintage firm $600 for it and shortly launched a mission to discover a spot to showcase the statue of her grandma, who moved to the US from Italy in 1955 when she was 27 years outdated.

“She represents that generation of hardworking immigrants that came to this country and really appreciated the country they live in,” she stated. “It tells the story of the American Dream.”

Pulsone, who’s now residing in Flushing, Queens, labored as a seamstress for 4 years in Rochester and 45 years within the Big Apple.

“It was beautiful. I enjoyed my work very much,” she stated.

A museum exhibit that includes the statue opens on the museum this summer season.

Maria Pulsone
Workers would greet the statue by saying “Good morning, Maria.” Daily News Record

“Maria’s story is the story of so many hard-working Italian immigrants, especially those who toiled in the garment industry,” stated Dr. Joseph Scelsa, president of the Italian American Museum.

“We are deeply honored to accept the sculpture, which encapsulates a historically significant chapter in the history of Italian immigration in New York.”

Lou LaCarbonara, the president of the Italian American Labor Council, hailed Pulsone as a hardworking US immigrant.

“Maria is an outstanding example of the dedication of thousands of unionized Italian immigrants who contributed greatly to the American experience,” LaCarbonara stated. “Thanks to her well-honed sartorial skills, New Yorkers looked their best on job interviews and family functions.”

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